In the heart of the Philippines, the Ilocos Region boasts a cultural gem that transcends centuries — the exquisite art of Inabel weaving. Rooted in history and tradition, Inabel dates back to a bygone era, spanning between the 16th century and the late 19th century, weaving together the rich tapestry of Ilocano culture.
Inabel, or Abel Iloko, is a manifestation of the meticulous craftsmanship of the Ilocano people. This time-honored tradition involves a meticulous process of spinning and weaving, resulting in fabrics renowned for their durability, vibrant colors, and intricate patterns. Beyond being mere textiles, Inabel serves as a symbolic representation of Ilocano identity and pride, reflecting the region’s rich cultural heritage.
In an era where ancient crafts face the threat of fading into obscurity, Mia Aguila has emerged as a devoted advocate for the preservation and promotion of Inabel weaving. Recognizing the urgency to safeguard this cultural legacy, Mia founded Tela de Bonita — a venture committed to not only marketing Inabel but also ensuring its recognition nationwide and worldwide.
Mia’s passion for Inabel extends beyond commerce; it is a mission to safeguard the centuries-old weaving tradition. Tela de Bonita serves as a bridge between the skilled artisans of Ilocos and a global audience eager to embrace the beauty and authenticity of Inabel. Through this initiative, she provides a platform for local weavers to showcase their talents while creating awareness about the cultural significance embedded in every thread of Inabel fabric.
By establishing Tela de Bonita, Mia not only seeks to market Inabel on a broader scale but also aims to nurture a sustainable future for the tradition. The venture becomes a conduit for the intergenerational transmission of skills and knowledge, empowering local artisans and ensuring the continuity of this venerable craft.
Inabel weaving, as highlighted by Mia, stands as a symbol of Ilocano industriousness and hospitality. The intricate artistry and craftsmanship involved in Inabel weaving reflect the diligence and hard work of the Ilocano people. Moreover, the tradition of Inabel weaving is deeply intertwined with the warm hospitality of the Ilocano culture, as it often serves as a means of creating intricate and beautiful woven fabrics that are shared and utilized within the community. This traditional craft not only preserves the rich cultural heritage of the Ilocanos but also embodies the spirit of hard work and generosity that characterizes their way of life.
Inabel, with its deep roots and intricate patterns, is no longer confined to the borders of the Ilocos Region. Thanks to Mia and Tela de Bonita, this traditional weaving art is finding its way into homes and hearts nationwide and worldwide, securing its place as a timeless cultural heritage. As she threads the needle between tradition and modernity, the vibrant fabric of Inabel continues to weave a narrative of resilience and cultural pride for generations to come.
Included in its product range are blankets, travel blankets, shawls, slippers, and bags featuring inabel, alongside household items like pillowcases, textile, placemats, table napkins, and table runners.
Products are accessible at the Hotel Felicidad lobby in Vigan City and are also available online through the official Tela De Bonita Facebook and Instagram pages. For inquiries, you may contact Tela De Bonita via email at TelaDeBonita22@gmail.com.
Si Venus L Peñaflor ay naging editor-in-chief ng Newsworld, isang lokal na pahayagan ng Laguna. Publisher din siya ng Daystar Gazette at Tutubi News Magazine. Siya ay isa ring pintor at doll face designer ng Ninay Dolls, ang unang Manikang Pilipino. Kasali siya sa DesignCrowd sa rank na #305 sa 640,000 graphic designers sa buong daigdig. Kasama din siya sa unang Local TV Broadcast sa Laguna na Beyond Manila. Aktibong kasapi siya ng San Pablo Jaycees Senate bilang isang JCI Senator.
