Netflix’s “Joy” is an uplifting exploration of human determination, scientific innovation, and the unyielding desire to create life. Directed by Ben Taylor, this poignant film recounts the true story of the first successful in vitro fertilization (IVF), leading to the birth of the world’s first IVF baby in England in 1978—a groundbreaking achievement that has since transformed the lives of millions.
The film centers on the trio behind this scientific milestone: Robert Edwards, a visionary scientist; Jean Purdy, a young nurse and embryologist; and Patrick Steptoe, a skilled surgeon. The heartfelt moment of a newborn’s cry near the end of the film symbolizes not only the triumph of their decade-long efforts but also the broader implications of their groundbreaking work.
Thomasin McKenzie delivers a captivating performance as Purdy, portraying her as both vulnerable and resilient. Purdy’s journey reflects personal growth amidst professional challenges and societal backlash. Her declaration, “If I hear a commotion, I’m not very good at staying out of it,” encapsulates her indomitable spirit. James Norton embodies Robert Edwards with a blend of charm, doubt, and quiet determination, while Bill Nighy’s portrayal of Steptoe brings understated strength and wisdom to the narrative.
Science Against All Odds
Jack Thorne’s script sheds light on the immense obstacles faced by the trio. In the late 1970s, IVF was considered experimental and morally contentious. Religious groups deemed it sinful, newspapers sensationalized it as unnatural, and even fellow scientists raised the alarm over potential “freak babies.” Steptoe, played with gravitas by Nighy, succinctly warns his colleagues: “You’re aware they’ll throw the book at us. We will unite them all against us.”
The film also emphasizes Purdy’s personal sacrifices. Her own mother admonishes her with the words, “You can’t play God with this,” as Purdy faces ostracism from her family and church. Yet, she perseveres, asserting, “This fight is ours. We don’t have a choice.” The narrative honors not just the scientists but also the courageous women who volunteered for experimental treatments, pushing the boundaries of medicine.
A Story of Triumph and Humanity
Director Ben Taylor masterfully crafts a series of intimate moments, presenting the story almost like a stage play. Quiet bravery and small yet profound conversations anchor the narrative, reflecting the unassuming yet transformative power of science. The film’s witty and emotional soundtrack—featuring tracks like “Here Comes the Sun” by George Harrison and “Yes We Can Can” by Lee Dorsey—adds a layer of charm and poignancy, with each song encapsulating the emotions of the time.
While “Joy” celebrates triumph, it does not shy away from depicting the frustrations, losses, and tears that accompany progress. The filmmakers highlight the trio’s argument that IVF is no different from other medical interventions, like glasses for vision or dentures for dental health—an argument that resonates even today, as science faces renewed skepticism.
Final Thoughts
At its core, “Joy” is a tribute to human perseverance and the power of science to change lives. It’s a reminder that even amidst doubt and opposition, breakthroughs can occur when people refuse to give up. The sound of a baby’s first cry, as depicted in the film, encapsulates this sense of hope and achievement.
Netflix’s “Joy” is rated PG-13 for thematic material, brief strong language, some sexual references, and surgical imagery. With a runtime of 115 minutes, it’s a deeply moving cinematic experience, earning a well-deserved three and a half stars out of four.
Paraluman P. Funtanilla
Paraluman P. Funtanilla is Tutubi News Magazine's Marketing Specialist and is a Contributing Editor. She finished her degree in Communication Arts in De La Salle Lipa. She has worked as a Digital Marketer for start-up businesses and small business spaces for the past two years. She has earned certificates from Coursera on Brand Management: Aligning Business Brand and Behavior and Viral Marketing and How to Craft Contagious Content. She also worked with Asia Express Romania TV Show.
