Movie Review: Helen Mirren’s poignant WWII tale of kindness and survival in ‘White Bird’

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In a time when acts of kindness seem more crucial than ever, White Bird, directed by Marc Forster (Finding Neverland, The Kite Runner), offers a heartwarming yet harrowing story of compassion during one of history’s darkest periods. This emotional film, adapted from R.J. Palacio’s young adult graphic novel, tells the story of a Jewish girl sheltered by a family in Nazi-occupied France during World War II.

White Bird, which hit theaters this Friday, presents a narrative within a narrative, aimed at younger audiences. However, while it shares some DNA with Palacio’s other well-known work, Wonder, it stands on its own as a deeply touching tale of war, resilience, and the bonds of friendship that bloom even in the most hostile of environments.

Helen Mirren stars as Sara Blum, a renowned artist who shares her harrowing wartime experiences with her troubled grandson, Julian (Bryce Gheisar). Julian, a rich kid struggling with behavior issues, listens intently as his Grandmère recounts the story of her survival. Though Julian’s sudden interest in his grandmother’s story may stretch believability, Mirren’s elegant portrayal makes her role as a narrator captivating and full of grace.

Ariella Glaser shines as the young Sara Blum, who begins the story leading a peaceful life in a small French town with her parents, Max (Ishai Golan) and Rose (Olivia Ross). Like many children, Sara is preoccupied with school, friends, and a boy she likes, unaware of the rising danger around her. That is until the Nazis arrive to deport Jewish families, and she is saved by an unlikely classmate—Julien (Orlando Schwerdt), a boy she barely noticed before. Julien, who walks with a crutch and comes from a less privileged background, takes her to his family’s property to hide.

Gillian Anderson provides a strong supporting role as Julien’s mother, Vivienne. Though her character remains in the background for much of the story, she delivers an emotional punch during one of the film’s most tragic moments.

The film follows Julien and Sara’s developing friendship, which blossoms into a young romance. Confined to a barn, they escape into their imaginations, envisioning a world where they are free. The young actors bring an innocence and authenticity to their performances, making their bond believable and touching.

White Bird was delayed several times, but it doesn’t suffer from those setbacks. Despite some conventional elements, the movie is well-crafted, with lush cinematography and a touching narrative that delivers an important message of hope and human connection during times of terror.

Though some might feel it plays a little too safe for a historical drama, White Bird succeeds as a heartfelt film that will resonate with its audience, particularly younger viewers. The film’s gentle tone and emphasis on kindness make it a worthwhile watch, even if it doesn’t break new ground.

In a particularly powerful scene, Julien’s mother, Vivienne, delivers the line: “Kindness is the strongest weapon we have against hatred.” That sentiment echoes throughout the film, a reminder of the power of compassion even in the face of unimaginable cruelty.

White Bird, released by Lionsgate, is rated PG-13 for thematic material, some strong violence, and language. The film runs for 120 minutes and is sure to stir a few tears. It earns a solid 2.5 stars out of 4 for its emotional depth and moving performances.

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Paraluman P. Funtanilla
Contributing Editor

Paraluman P. Funtanilla is Tutubi News Magazine's Marketing Specialist and is a Contributing Editor.  She finished her degree in Communication Arts in De La Salle Lipa. She has worked as a Digital Marketer for start-up businesses and small business spaces for the past two years. She has earned certificates from Coursera on Brand Management: Aligning Business Brand and Behavior and Viral Marketing and How to Craft Contagious Content. She also worked with Asia Express Romania TV Show.