In “We Live In Time,” directed by John Crowley, audiences are invited to witness the poignant romance between Florence Pugh and Andrew Garfield as they navigate the complexities of love and life in their 30s. This beautifully crafted film immerses viewers in the highs and lows of a relationship that forces us to confront the relentless passage of time.
As we reach our thirties, the idea of time becomes increasingly significant, and for many, it triggers deep reflection on life’s fleeting nature. Crowley captures this sentiment masterfully, reminding us that the pressures of career, family, and aging loved ones compound the urgency of our ticking biological clocks. The emotional stakes escalate dramatically when a cancer diagnosis enters the mix, amplifying the sense of urgency that permeates the film.
Tobias (Garfield) and Almut (Pugh) are constantly reminded of this passage of time through the film’s use of clocks and stopwatches, which serve as both literal and metaphorical devices. The storytelling weaves through time like a scattered memory, piecing together their intertwined lives in a whimsical, mystical, and darkly comedic fashion. Their initial meeting is striking: Almut accidentally collides with Tobias while driving, and their first conversation unfolds in the stark fluorescent lights of a hospital. Despite his injuries, Tobias is captivated by Almut’s beauty, seemingly unfazed by the circumstances.
This “meet-cute” is a unique take on a classic trope, as it humorously subverts expectations. Prior to their encounter, Tobias finds himself in a hotel, struggling to sign divorce papers. In a fit of desperation, he dashes out in a bathrobe to buy pens, only to drop something in the street, leading to the serendipitous birth of a new relationship. This moment encapsulates the vulnerability inherent in falling in love.
The film continues to explore moments of chaos and emotional turmoil, particularly concerning a baby that is not yet ready to enter the world. Without giving too much away, one birthing scene stands out as both hilarious and heart-wrenching, capturing unexpected tears amidst the laughter.
While many might expect “We Live In Time” to evoke an emotional wreckage, my experience was different. The film does not rely on tear-jerking moments to measure its impact. Crowley previously delivered a stunning film with “Brooklyn,” which raises the question of why this outing didn’t elicit the same emotional response.
Nick Payne’s script leaves room for improvement, particularly regarding the development of Almut’s character. At just 34, she is already a Michelin-starred chef with an impressive athletic background. Yet, when Tobias broaches the topic of children early in their relationship, her reaction feels forced. Rather than engaging in a mature conversation, she becomes defensive, which seems inconsistent with her established character. This miscommunication could spark lively discussions among viewers post-screening.
The couple’s eventual child serves as a narrative prop, lacking personality and depth. The child’s presence does little more than symbolize what Almut stands to lose if she does not overcome her cancer battle.
Despite these narrative hiccups, the true draw of “We Live In Time” lies in the subtle yet powerful performances from Pugh and Garfield. Garfield fits perfectly into the mold of the “nice guy,” reminiscent of Adam Brody’s charming portrayals. Their chemistry is palpable, bringing charm and authenticity to the film, making it a worthwhile watch.
“We Live in Time,” an A24 release, premieres in New York and Los Angeles on Friday, with a nationwide release on October 18. Rated R for “language, sexuality, and nudity,” the film runs for 107 minutes and earns three stars out of four.
Paraluman P. Funtanilla
Paraluman P. Funtanilla is Tutubi News Magazine's Marketing Specialist and is a Contributing Editor. She finished her degree in Communication Arts in De La Salle Lipa. She has worked as a Digital Marketer for start-up businesses and small business spaces for the past two years. She has earned certificates from Coursera on Brand Management: Aligning Business Brand and Behavior and Viral Marketing and How to Craft Contagious Content. She also worked with Asia Express Romania TV Show.
